For the last two-plus NHL seasons, pundits trying to explain Lane Hutson's skating have frequently called him a "waterbug." They probably mean a water strider, an insect that can actually walk and skate directly on top of the water's surface rather than swimming underneath it. They rely on water's surface tension and their slender legs are covered in tiny, water-repellent hairs that trap microscopic air pockets and distribute their weight so they don't break through the film. The way they skim the surface without resistance certainly brings Hutson's style to mind.
Everyone can see the results of his ability, and everyone wonders how he learned to move the way he does. He explains it started when he, his three brothers and his dad were on the ice together.
"My dad had us at a young age go on the ice and just have the skates just like this (basically untied) on our feet. We'd skate like that for 20 or 30 minutes just like a normal practice and then tie them up and kind of be able to hit our edges a little harder."
And today?
"They're usually pretty loose, but with how stiff skates are and how they feel, I don't need them that tight. I feel like I wear them pretty loose compared to the standard. You know, some guys are pulling them way too tight. I don't know if I could ever do that, but that's kind of how I do it."
He also has his blade shaped in a particular way to suit his skating style.
"I don't know how they do it, but I just kind of get that toe shaved a little bit. So like I'm pitched forward and it just sits easier. Can kind of explode easier forward I guess. I think being able to lean forward into turns makes it much easier."
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Jason Yee was born in British Columbia about fifteen years before Hutson was even a glint in his father's eye. He spent his youth training and striving to make the NHL. That goal wasn't in the cards for him...he got as far as playing pro in Europe...so he enrolled at the University of BC to study kinesiology while playing for the varsity squad.
"What was really cool at the time was the NHL lockout. And so we had the Canucks practicing with us. We had the Sedins coming on with us," he recalls. "It was a really cool opportunity to see their mechanics live while comparing and contrasting against my own and my team. So that's really where a lot of this came from."
"This" is an entire business he calls Training 2.0, in which he breaks down the techniques the best players use in ways others can easily understand.
"I had done a lot of power skating growing up and I was rated by coaches as a great skater," he says. "And I was good at power skating, but I was realizing that there were things that, for example, the Sedins would do that was not in the playbook of power skating. Just unexplainable things that didn't make any sense to me."
"For example, there was a move that I now call the shuffle, which is using the outside edge to roll over on that outside edge and create lateral movement," he describes. "And that was something that is just not part of the lexicon of power skating. And there was just no descriptor for it."
"So what I was doing at the time at UBC was a lot of movement analysis and I was using video to break down athlete's movements. And that's how I was able to discover these are actually untaught movements that don't have a a name, but that the best players in the NHL are actually doing on a regular basis."
Among the best...and most unique...players Yee has studied is Lane Hutson.
"The game of hockey went from pushing and gliding to being a bit more like a basketball or like a lacrosse in the sense that the players, and Hutson is a great example of it, will use footwork to move laterally and not just push and glide forward. Hutson's also able to decelerate as well as accelerate so that he can move laterally and create more lateral space and lateral deception," he says.
"So kind of two things. And they're they're combined together," he continues. "So I call them edge drags and hip or leg adduction. That is, pulling the legs towards the centre of the midline and then also dragging the edges. So as he's dragging the edges and adducting, that allows him to decelerate and then also to move laterally. And it's something that once people see how the best players in the NHL can move laterally, all of a sudden they're like, wow, I never saw that footwork before. And that's what allows them to kind of do those little stutter steps or to do the little fakes and jukes and then be able to explode literally the other direction."
And Yee says Hutson's different, not just because of his footwork and ability to move forward.
"The typical stop that is taught is a two-foot stop. And when you do that, you literally stop," he says. "But when instead of doing that, you drag the heel edge inside edge or a soft drag where you drag your inside edge of your toe. And that has you shifting your weight from one foot to the other. So it's kind of like a pendulum where your weight is always shifting foot to foot, which allows you to always be in motion. In this new style that Hutson is using, he's always able to be shifting his weight foot to foot, so he's always able to maintain his momentum."
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So, now we can see the finished product in the player who's become arguably the Habs' most important, with some insight into how he developed that way. Yee says he's got a good foundation in mechanics, going back to those open-lace practices with his dad and brothers.
"Yeah, that's actually brilliant coaching from my perspective," he says. "That allows them to have ankle freedom. When most people are taught to skate, they do their skates all the way up and they don't articulate their ankle joint at all. And they kind of think of their lower leg as if it's in a cast or in a ski boot."
"But that fully takes away from a player's ability to articulate the ankle. And when the ankle articulates, that allows you to create more lateral movements on the ice because the more the blade is leaned over, the more of an arc you create on the ice, right? If it's straight up and down, then you're just skating straight. If it's leaned over, it creates an arc on the ice, which allows your body to move laterally. So by having your skates undone, that allows the ankles to articulate, which allows them to bend over more, which allows the player to be more of an arc."
For Hutson, keeping a loose skate and a very sharp blade are important, so he changes them up fairly often.
"Probably every three weeks I get a new pair and they feel really good. Part of it's the stiffness and part of it is how the team is doing itself. If we're winning games with a certain pair of skates I'll maybe keep them a bit longer. If we're if we have a tough stretch, I might just get rid of them," he laughs. "I change my blades anytime I feel like a little slip. So I'm pretty picky about it, but I change my skate blades every game."
He's so picky, he knew, even as a kid, when something wasn't right.
"They changed the shape of the blades without telling me and I didn't know it was that and I just stuck with it," he recalls. "So you sharpen them over and over and they get so thin and you're like, what the hell is this? Why am I tripping over? But I told my dad, when I was like maybe 9 or 10, I needed new skates because it was so thin and I kept toe picking. Then I got new blades in and I'm like, these feel terrible. They were kind of profiled differently. And I knew it right away, but I didn't know what to say about it. So that's kind of how I learned what I liked and didn't like."
He learned what he liked and didn't like, and now Canadiens fans like everything about him.
So, what happens to all those Hutson skates only worn for three weeks at a time?
They go to the next generation of waterbug, of course.
"I was lucky because (older brother) Quinn has much bigger feet than me, so I was always able to get some new ones. And Lars, my youngest brother, wears mine now because he's got a smaller foot. So he likes them broken in and he's getting some pretty good skates."







